Bedtime
Stories
by Paula K.
Read
The man was alone,
driving his old car along the scenic route towards his secret
destination. Not exactly along the scenic route, for that would mean
that what happened later wouldn't have happened at all, but on a road
near the scenic route that was just as scenic, but had more curves and
precipices that frightened off the faint of heart. The man was not
faint of heart, and he steered his heavy black vehicle with the
confidence of a skipper at the helm a ship he built with his own
hands. It isn't fair to call the car old - it was vintage, a sleek
classic from a different automotive era entirely, and the writer had
inherited it from an uncle who had purchased it when it was new. The
writer had been driving the car since he arrived in this country,
which was a long time ago.
Nor was his
destination secret in the true sense of the word. It was just that no
one knew where he was going. He didn't have any dates, appointments or
invitations for the evening, and he was out for a ride to somewhere he
simply hadn't mentioned to anyone because it wasn't necessary. But
anyone looking for him later would have the impression that he had
crept off to a rendezvous or hideaway, since he was not to be found at
any of his usual haunts later that night. People usually knew where
the man was at any given time because this man happened to be famous.
He was a famous writer. Not a terrific world wide star kind of famous,
but famous in the literary circles of his language, and in the
literary circles of other places that read his works in translations.
This made him famous in twenty or thirty countries.
On this afternoon,
which was quickly nearing its end and melting into early evening, the
writer was driving along, enjoying the view on the road near the
scenic route, which looked out over the ocean. Which ocean doesn't
really matter, since no one knew where he was anyway. He had his
windows rolled down, he could smell the salt air, he could hear the
soft hush of waves breaking down below, and he was looking forward to
arriving wherever it was he was headed. Perhaps he was even, at this
very moment, being inspired to write another story that would send
excited ripples through the literary circles that so treasured his
work.
There was a man
who was headed for a meeting in a borrowed car, and he was in a hurry
because he had gotten himself hopelessly lost. He hadn't been in a
hurry to begin with, since he had left himself ample time to get where
he was going. At least, that's what his hosts had told him. They were
the ones who had given him the car, which wasn't really borrowed, it
was rented, but it had been rented by the man's hosts for his use,
since he was considered ineligible by the rental firm to rent the car.
His hosts were taking a chance, but they weren't really worried. They
didn't worry about catastrophes that had yet to occur, and neither did
the man who was driving the rented car. But now he was getting a
little worried, because he had lost his way, and had left the map
somewhere - perhaps at his hosts' home, or at the rest stop. It didn't
matter, he didn't have it now, and he had somehow ended up on the
scenic route, and then on a completely different road that seemed to
be taking him and his borrowed car down toward the beach. He liked
beaches, although the water, the air and the landscape here were
completely different from the beaches and surroundings back home.
He knew how he had
gotten lost. It didn't just happen by accident, it happened all the
time to him. He would be walking or bicycling or driving somewhere
(usually the former, since he didn't have a car back in his own
country), and music would enter his head. It had always been this way
- one moment his verbal thoughts were darting around his brain with
glittery transience just like anyone else's might, the next moment
they would be replaced by music, strands of melody, flotsam that
melded and formed into harmonies. Then he would forget where he was or
where he was going, and by the time the verbal thoughts resumed their
flickering, it was to tell him that he was somewhere other than he had
intended. This was not a new situation for him, but it was unsettling
to have it take place in a foreign country where he couldn't speak the
language.
In his home
country, his name was a household word. Everyone knew his music, his
lyrics. Entire towns moved to the music that had intruded upon his
thoughts and gotten him lost at some point or another. He sang in
small cafés, on outdoor stages, on local radio stations, at
spontaneous parties. He was famous, but only among his own people, and
maybe among those of the small neighboring countries. His hosts meant
to change all that.
For now, he was
lost, and he was running late. He had another haunting melody that
would have people back home swaying back and forth with tears in their
eyes (from sadness, from laughter, perhaps both), but for now, he was
getting nervous. He came out of a short tunnel to a crossroads, and
decided to turn left. He hoped he could find his way back to his own
road before nightfall.
It didn't have to
happen, but it did. The writer's vintage car and the musician's
borrowed rented car collided. It wasn't a serious collision because
the writer had been driving very slowly in order to better enjoy the
view, and the musician had been driving very slowly in search of a
road that would take him to where he was going. Only four items were
damaged. Both front headlights of both vehicles. The sun was low on
the horizon, the road was an untraveled, dangerous stretch of pavement
not very close to the scenic route at this point, and it was unlit.
Fortunately, it was a warm evening, and both men remained calm.
After all, neither
had been injured, and broken headlights are a small price to pay for
walking away from an auto accident on a deserted road. But the men
didn't say this to one another.
They found that
they were completely unable to communicate except by broad arm and
hand gestures, and a bit of smiling and eyebrow-raising. They didn't
speak one word of each others' language. But there was one thing they
noticed about one another: Each man belonged to a people who had a
historical habit of completely, utterly and deeply hating the other
man's people. It doesn't matter whether the men were black and white
respectively, or Jewish and any number of other peoples, or of
different religions, or different political persuasions. It doesn't
even matter how they noticed this fact, whether it was color, or
dress, or eye color or haircut or nose length. Perhaps one was old and
the other was young, or both were approximately the same age. They
might not even have both been men - perhaps one was a woman and one
was a man, or both were women. Maybe they weren't even famous.
But since they
were both famous men when their cars collided, let us assume they
remained famous men for what happened next. First, they both flinched,
but only just a little bit, since neither were active haters of the
other's people, but had been brought up learning the hate as children.
So a tiny, old memory of planted hate rose up from forgotten depths,
flicked its pointy little spiked tail, and they both flinched.
Then the writer
smiled, and this made the musician smile.
The writer knew
the road, and knew that trying to walk anywhere for help after the sun
set would be pointless, and dangerous, for there were many places
where the sides of the road simply dropped off into nothingness, down
steep grassy grades that ended in rocks far below. He also knew that
few people took this road, and that no one could be expected to come
and help them any time soon, certainly not before the following day.
And even as he wondered what would have happened if he had actually
reached his destination, he also found himself wondering what on earth
this other man was doing here, on this particular road, unable to
speak the language, running his car into a car driven by someone
belonging to a race of men that hated his people. A story began
germinating in the writer's mind, and he smiled to himself at his
incorrigible ways. Then he saw the other man smiling, and he returned
the smile.
Meanwhile, the
musician gave up his concern about getting to his meeting on time, and
didn't even lose much thought worrying about the borrowed rented car.
Headlights could be easily repaired, he was sure of that. That was a
relief. He saw the writer smiling, and smiled back. Their faces were
bathed in the deepening golden light of the sun, which was beginning
its descent into the ocean. The musician shrugged, gestured at the two
cars, and shrugged again. The writer nodded.
The writer had
some blankets in the trunk of his car, the musician had a generous
supply of snacks which had been provided by his hosts for his trip,
even though the entire trip wasn't supposed to have lasted more than a
few hours. They pulled out their provisions and sat down on a grassy
spot next to the road. By this time the sun had lit up thin layers of
clouds with a myriad of reds, purples, greys and blues. Clouds that
had only moments before been bits of invisible high-altitude moisture
became colored veils which seemed only to exist to grace the evening
sky and provide the upcoming star-lit night with a suitable prelude.
The ocean below glowed in ruby, gold and diamond waves. And the food
was excellent.
Without the
benefit of a shared language, the men could communicate little more
than the most primitive expressions of basic pleasure and awe at this
feast of a sunset. Although both men were so famous within their own
small worlds, neither had any reason to recognize the other. The
writer didn't know that the man next to him was a beloved songwriter,
the voice of a small nation - worse, the writer couldn't tell the man
any of his thoughts or feelings about their people's shared history,
which was a central subject in his writings. The writer couldn't even
tell the other man who he was or what he did.
The musician felt
much the same. So much of his music and his lyrics spoke for his
people for the simple reason that they expressed the pain of
separation, of hatred, of love lost. So they sat next to one another,
shared the musician's food and sat comfortably on the writer's
blankets, and watched the sun go down.
The writer, who
was a talkative fellow, began to tell a story. He had a wonderful
story-telling voice, low and cadenced. He had held so many readings of
his works that he had long since lost count. Actually, he was telling
the musician the story of his day and his destination, but that didn't
matter. It could have been any other story. What mattered was that he
told it to the musician, and that it was a story which he hoped the
musician would have liked, had he been able to understand it. It was
an amusing story, considering its outcome, which was so completely
unexpected, considering what the writer's plans had been for the
evening. The musician found that although the words remained a mystery
to him, the writer told his story so well that he felt he had
understood it.
When the writer
had finished, the musician nodded and thanked the writer for his
story. Then he started to sing the melody that had been the cause of
the whole episode, the melody that had caused him to lose his way, to
collide with the writer's car, to find himself sitting here on the
edge of a cliff, watching a fantastically bright and brilliant sunset
in a foreign country on a foreign shore, over a foreign ocean. Words
occurred to him, and he sang the words as they made themselves known.
It could have been any other song, but it was this one. He had a voice
that was so pure it could bring tears to listeners' eyes, and the
writer actually found his cheeks wet.
The sun finally
set, and it became very dark in spite of all the stars. The writer
invited the musician to take the back seat of his car for a bed, while
he took the front seat. After all, the car could comfortable seat six
or more adults. They both slept well.
The next morning,
sometime after dawn, a student (or a photographer, or a hiker) drove
by on the deserted road and picked the men up. They continued on their
separate ways, the writer to his destination, the musician to his
meeting.
But those are
different stories entirely.
About the
Author:
Paula K. Read
lives in France, where she works as a writer and translator. She has
written several scripts for German television and film, Film Talk,
a film dictionary, and SIX, a novel. Most recently she was
awarded a screenplay grant in Germany for a story about Kosovo
refugees.