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Volume I, Issue 2
/ 19 July 1999

Welcome to the second issue of Arts4All Newsletter.

Take a moment to express yourself at A4A Comments. You can write to us about what you want to see in future issues, what you like about what you've seen so far, how you think the Newsletter can improve. You can also select from a number of possible areas of interest you'd like to see more of in future.

In this issue, we continue with Therese Schwartz's four-part survey of the New York City art world, as experienced over the 1997 - 1998 season. In the second installment, her gallery-going focuses on the abundance of painters venturing individually along paths of their own making, out from the shadow of the famous names and famous movements that went before.

You'll also get a glimpse from Carol Schuberg of the cross-cultural excitement she experienced bringing that vibrantly American musical, Bob Fosse's Sweet Charity, to the singers and dancers of the Istanbul Opera and Ballet Company. From her first Turkish massage at the bath house to the dancers' first shimmies at the rehearsal hall, this was cultural exchange in action.

New in this issue, the Limón Dance Company has provided its performance and residency schedule for the 1999 / 2000 season (including dates in California, Florida, Upper New York State, New England, and home in New York City). You can anticipate more information like this in the future. Contact the Newsletter for information if you are interested in this service.

Those of you visiting for the first time can sign up for a free summer subscription by going to the Subscribe page. A subscription will ensure you receive an email from us announcing each new issue. The Arts4All Basics describe the subscribe process, as well.

Our first Newsletter is on hand, if you want to take a look.

In our August Newsletters, along with more articles like these, look for input from emerging composers, painters and photographers. We're working on including works of poetry and short fiction as well. And if you have a policy question or a cause dear to your heart, consider letting us know. The Newsletter's op-ed page is ready when you are. August's Newsletters will also introduce another new feature - ongoing threaded discussions about topics of interest to you. Look for A4A Discussion in the next issue.

We invite your comments, recommendations, suggestions for articles, and other creative input. Send your emails to editor@arts4all.com. Or while you're here, you can visit the A4A Comments and tell us about your preferences and interests.

For subscription, permissions, privacy policy, classified advertising and other basic information, see Arts4All Basics , elsewhere in this issue. Tell your friends about us, and grow with us, over the summer and into the fall 1999 season.

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