In This Issue

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Welcome to the Arts4All Newsletter's Artist Pages, where creative artists share their work.

Keith Spencer
Aisha Hosley
Jenny Mitchell
Jonathan R. Wilder
Vanessa Conlin
Anne Kovach

 

 

 

 

 


Keith Spencer

Keith Spencer was born in West Palm Beach, Florida, one of thirteen children in a musical family. He earned a Bachelor of Music degree from the University of Miami, and two Master's degrees - in voice from the Manhattan School of Music, and in opera performance from the Curtis Institute of Music.

His opera debut was in 1992 with the Virginia Opera Company. Roles have included Papageno in Die Zauberflöte and the title role in Monteverdi's Orfeo. Keith's concert repertoire includes Dona Nobis Pacem by Ralph Vaughan Williams and the Fauré and Duruflé Requiems. In 1995 Keith made his New York recital debut with the Hugo Wolf Society at Merkin Concert Hall. Now living in New York City, he works closely with contemporary composers including Frank Lewin, Ed Windells, Robert Alpert, Peter Susser and Albert Ahlstrom.  

 

Pierrot's Tanzlied (Mein Sehnen)
by Erich Wolfgang Korngold (1897 - 1957), libretto by Paul Schott
(ASCAP)

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Keith Spencer

 

 

Ah, per sempre
by Vincenzo Bellini (1801 - 1835), libretto by Carlo Pepoli

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Keith performs in the opera Die Fledermaus with the Greensboro (NC) Opera Company this February 2002. In the spring he sings the baritone solos in Brahms' Requiem with the Bedford (NY) Symphony and Chorus, followed by several concerts and solo recitals in the New York-New Jersey-Connecticut area.

For more information about the artist and his work, contact Arts4All at 212 / 391 4007 or email to artistpages@arts4all.com


Aisha Hosley

Aisha Hosley is a native of Irvington, New Jersey. She earned her Bachelor of Music degree in Jazz Performance from the New England Conservatory in Boston, Massachusetts. Her teachers there included Patricia Craig, Dominique Eade, Cecil McBee, Carol Sloane and Allan Chase.

Aisha is both an experienced singer and actress. She has performed as a solo vocal artist since 1995, and in choruses and choirs, including the annual Thomas A. Dorsey Gospel Jubilee Celebration in Boston, where she has been a featured artist. She was also a soloist in A Taste of Passover concert celebration, aired in April 1999 on public television and released on PBS home video. 

 

Infant Eyes
by Wayne Shorter
(Miyako Music / BMI)

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Aisha Hosley

 

 

Georgia on My Mind
by Hoagy Carmichael and Garrell Stuart
(Hoagland Music Co / Peer Music Ltd / BMI)

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Reviewed by the New York Daily News for her performance in For the Love of My Black Woman, Aisha has appeared in a number of dramatic productions by UJAMA Black Theater Ensemble, under the direction of Titus Walker.

Aisha continues her singing career at jazz clubs and concert halls in New York and Massachusetts.

For more information about the artist and her work, contact Arts4All at 212 / 391 4007 or email to artistpages@arts4all.com


Jenny Mitchell

A native of Ottawa, Canada, Jenny Mitchell has a growing reputation as a collaborative and solo pianist. As a vocal accompanist at the Music Academy of the West, she has studied with Warren Jones and performed in master classes with Marilyn Horne, Benita Valente, and Thomas Hampson. As a founding member of the Hepworth Piano Trio, she has performed in Europe and the US. Her recent solo recital at the Canadian Consulate in New York featured the works of Claude Debussy, earning her praise from critics in Canada and New York.

In 1998 Jenny completed her Master's Degree at the Manhattan School of Music, New York City, with Phillip Kawin. She holds a Bachelor of Music degree from McGill University, Montreal, where she graduated first in her class and was the recipient of the McGill Alumni Award and Ellen Ballon Piano Scholarship. 

Claude Debussy's

La Soirée dans Grenade

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Jenny Mitchell

 

Claude Debussy's

La terrase des audiences du clair de lune

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Favorite movie: The Usual Suspects. Long distance runner / caffeine addict. Big fan of the novel Captain Corelli's Mandolin by L. De Bernières.

For more information about the artist and her work, contact Arts4All at 212 / 391 4007 or email o artistpages@arts4all.com 


Jonathan R. Wilder

Trumpeter Jon Wilder is also an orchestral conductor, specializing in opera, operetta, and musical theater, as well as the concert stage, including masses and oratorios.

He is a trumpet soloist who plays jazz, from combo to big band, and throughout a wide range of styles from Dixieland to hard bop. Currently Jon plays with Chameleon and with Bluzeinn, a group featured here in a live performance from The Ironstone in Jamestown, New York.

Stephen Swanson's
Li'l Darling

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Jonathan Wilder

 

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Jon Wilder has taught for twenty years in all levels of public education. Currently he is department Chair at Salamanca City Central Schools in Salamanca, New York, where he conducts the high school bands and teaches music theory. He is a member of NYSSMA (the New York State School Music Association) and is the President of the Cattaraugus County Music Teacher's Association.

In the form of pre- and post-concert lectures, he specializes in analysis and commentary on music history. His lecture expertise also extends to music education.

For more information about the artist and his work, contact Arts4All at 212 / 391 4007 or email to artistpages@arts4all.com

 



Vanessa Conlin

Last season Vanessa Conlin appeared with Toledo Opera as Miss Jessel in Benjamin Britten's The Turn of the Screw and with Opera Tampa in Basically Bernstein, repeating the role of The Girl in Trouble in Tahiti which she had sung in Boston. In May she was presented in recital at the Kosciuszko Foundation in New York City as guest artist with The Ensemble for the Romantic Century. Other recent appearances were as Zerlina in Don Giovanni at the historic Bardavon Opera House and as Lola in the Pamiro Opera's Cavalleria Rusticana, a role she repeated with the Hudson Valley Philharmonic. In August she was Musetta in Belleayre Summer Music Festival's La Bohème, and she has been cast in Baz Luhrmann's Broadway production of Puccini's opera. In 2000 she sang the title role in Berlioz's rarely-heard Beatrice et Benedict at the Boston University Opera Institute, where she has also been featured in leading roles in Tobermory, La clemenza di Tito and Le nozze di Figaro.

Vanessa Conlin has appeared in productions of Metro Lyric Opera of New Jersey, Boston Fringe Festival, West Virginia Opera and the Charleston Light Opera Guild. As soprano soloist in Carmina Burana, Handel's Messiah, and evenings of opera arias and Viennese songs, she has appeared with the Bard College Chamber Orchestra, West Virginia Symphony Orchestra, Boston University Symphony Orchestra and at the Snowshoe Music Festival and Music From Bear Valley. In recitals and concerts she has performed works by composers of all periods, nationalities and styles, including the premieres of several contemporary song cycles which were composed specifically for her. At a recent ceremony honoring George Crumb with a Lifetime Achievement Award, Ms. Conlin was invited to perform a set of the composer's songs.

 

Puccini's
Quando m'en vo

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Gounod's
Ah! Je ris de me voir si belle

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Vanessa Conlin

Ms. Conlin attended the University of the Arts in Philadelphia as a Presidential Merit Scholar to study acting, while commuting to New York City for voice lessons under a study grant from the Musicians Club of New York. She earned her bachelor's degree in voice at the Manhattan School of Music and her master's degree at Boston University. As winner of the Concerto Competition at BU, she was presented as soloist with the orchestra in Canteloube's Chants d'Auvergne. She has been coached by Enza Ferrari (teacher of Maria Callas) in Spoleto, Italy and also by Marilyn Horne, Phyllis Curtin, Sherrill Milnes, Warren Jones and Martin Katz. Ms. Conlin is currently studying under Patricia McCaffrey in New York City. She was born in Texas and now resides in Manhattan.

Click below the song titles to hear them, using Quicktime, Real Player or Windows Media Player. More about these free downloads.

For more information about the artist and her work, contact Arts4All at 212 / 391 4007 or email to artistpages@arts4all.com



Anne Kovach

Anne Kovach is an artist currently living and working in the Williamsburg neighborhood of Brooklyn, NY.

Derived from a contemporary, pluralistic experience, the art of Anne Kovach transcends abstraction. The interlacing of random and non-random strokes that distinguish her work is a means to a balance of their opposing systems.


Untitled, 1999
oil on canvas
12 x 8 inches


Untitled Collage, 1998
gouache, photo collage on paper
6 x 4 inches


Rift, 1998
oil on canvas
22 x 16 inches

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Her works on paper were included in the exhibition 100 Drawings at P.S.1 Contemporary Art Center, Long Island City, NY, over the summer of 1999.

For more information about the artist and her work, contact Arts4All at 212 / 391 4007 or email to: artistpages@arts4all.com

 

 

 


More on playing the sound files:

Using Windows Media Player. If your computer does not already have it, you can download it for free from Microsoft at
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The most recent versions are 7.x, available for Windows, Macintosh and Unix platforms.

Using Real Player. If your computer does not already have it, you can download Real Player Basic for free at
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versions are available there for Macintosh, Windows and Unix platforms. The most recent version is Real Player Basic version 8.

Using QuickTime Player. If your computer does not already have it, you can download QuickTime Player for free at
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The most recent version is Version 5, for Macintosh, Windows and Unix platforms.

Your experience listening to these musicians' work is likely to vary from one time to the next, due to a variety of factors. Internet traffic around the globe is one significant variable. In addition, each computer will have its own strengths (lots of RAM, for instance) and weaknesses (a slow processor speed, for instance). Modem connections also vary tremendously from one log-in to the next, and of course the faster speed your modem is, the more likely you are to have successful results. Those of you with higher-speed connections (using cable modem, ISDN, DSL, T1 or T10, for example) are far more likely to get reliably good results playing these sound files.

The Newsletter continues its search for better and better means of sound file delivery for all who visit the Artist Pages. We would appreciate your comments. If you'd like to share your experience with sound files in the Newsletter, email the editor at
editor@arts4all.com. Thank you. We really value your feedback. Anne Carley, Editor amcarley@arts4all.com

 

 

 

 

 

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